Тамара Козырева

И о бесчеловечном больничном протоколе

5 апреля православные отметят Вербное воскресенье.

С детства Екатерину Медичи преследовали неприятные прозвища. Ее звали Дитя смерти, потому что мать скончалась от родильной горячки, а отец погиб несколькими днями позже. При дворе обзывали Купчихой, намекая на ее детство в купеческой Фл...

Follow Us & Comment ⬇️ Instagram account: Themfmofficial - Join our community of 62k followers for more!🫶😄 Battle of the Titans: The Virtuosity of Kissin VS Lang Lang 🏛️ What makes a pianist a legend? We’re comparing two absolute masters, Evgeny Kissin and Lang Lang, to unpack the layers of their virtuosity, it’s about more than just speed. We break down two styles that redefine technical mastery: - Kissin (The Depth):Dive into his surgical precision and the structural authority in complex works (e.g., Rachmaninoff). He represents the force of tradition. - Lang Lang (The Passion): We analyze his spectacle and how he uses his physicality to channel emotional energy (e.g., Liszt). He is the charisma of modernity. Performance: Evgeny Kissin - Lang Lang The core question is: Do you prefer the technical introspection that seeks the truth in the score, or the magnetic performance that aims for an immediate connection with the audience? Sound off in the comments! Which of the two truly moves you musically? 🏛️The comparison of virtuosos is not a modern phenomenon, but the very foundation of the elite pianistic tradition. In March 1837, the salons of Paris witnessed the zenith of this culture with the duel between Franz Liszt and Sigismond Thalberg. This was no mere concert, but a battle for technical sovereignty to decide who held the global throne. Thalberg was renowned for his "three-hand" technique, an ingenious method where the masterful use of the thumbs and the sustaining pedal allowed the melody to be entwined in the central register while the hands soared through arpeggios and scales at the extremities, creating the illusion of a third arm. While he dazzled with such natural precision, Liszt represented the volcanic force of romantic genius. Princess Belgiojoso’s verdict defined that moment: "Thalberg is the first pianist in the world, but Liszt is the only one." This heritage of duels is what nourished the technical mastery of Chopin’s works and the studies of Godowsky.